Writing update – July

Book cover: Prophecy of Power - quarry, featuring a woman in a dress and a man in leather gear.My blog has been sadly neglected lately. I’ve been writing more guest posts than posts here, and I’m also in the middle of several projects which seem to be taking a lot of my time.

I wanted to blog about Conflux 9, Australia’s 52nd National Science Fiction Convention, but got all enthusiastic with another project and never got around to it. Catch-up time.

In short, Conflux was fantastic. I caught up with a lot of people from out of town (as well as plenty of locals I don’t see enough of), made new friends, rubbed shoulders with publishers and editors, convened a couple of panels, and even gave a workshop.

I purchased far more books than I probably should have too, but hey, if you can’t splurge at a con, when can you? Hopefully I’ll get the time to read them soon.

I’ve also managed to produce several printed copies of my manuscript through CreateSpace. I’ve sent three out to proof-readers, and hopefully I’ll get their feedback soon. The plan is that if I don’t get any joy from the agent and publisher I’ve sent the manuscript to, I’ll publish the book myself.

That decision has freed me up to write the sequels – something I’d avoided previously as being a waste of time. The reason was that if the first book never sold, spending time on the sequels was pointless because they’d never sell until the first one did.

That’s changed with the option of self-publishing.

I’ve also gained some insight into another story I’ve been wanting to tell, but couldn’t find a satisfying way into it. I think I’ve found that now. The entire story arc is beginning to fall into place. I needed to slow the pace a little – show the entire story, not just the end-game.

That’s it for now. Here’s a guest post I wrote for JW Alden’s blog on the dream of publishing books in hardcopy.

Conflux, Elevator Pitches and Pitching Sessions

With Conflux kicking off this Thursday, I thought a post about pitching to agents and editors was in order.

Conflux 9 LogoWhy?

Other than having a good time and catching up with friends at Conflux, I’ll be moderating a panel on pitching (with two agents and an editor), teaching the art of creating elevator pitches during a workshop on Friday morning, and later that day pitching to an editor myself in the hopes of selling my epic fantasy.

So what do I know about pitching? A few things.

The basics…

The best thing you can do is approach a pitching session from agent or editor’s perspective, which means keeping two things in mind:

  1. They want to know that you’re someone they can work with (that you’re not insane).
  2. You have something they can make money from (they’re running a business, not an art-house).

In regard to pleading ‘not insane’:

  • Princess LeiaDon’t turn up in your best Princess Leia slave outfit (I’ve heard of it happening – people trying to be memorable, which they were, but for all the wrong reasons). Go with neat and tidy instead. You want them to remember your story, not your outfit.
  • Be polite and enthusiastic, but not over the top. Think of it as an informal job interview if that helps; keep it casual but on-topic.

In regard to pitching your story:

Your pitch only has one purpose once you get over the insanity hurdle – to get them to request your story. Nothing else.

Therefore:

  • Have a good one-liner that neatly summarises your book and intrigues at the same time (ie, the bulk of what I’ll be teaching at my workshop).
  • Try to get them to care about/empathise with your characters and the situation they’re in (character is story).
  • Give them an overview of the ‘big idea’, particularly if they’re ‘ideas people’.
  • Practice in front of the mirror.

And that’s all you really need to do in five minutes. If you’re attending, I’d love to see you at my workshop. Otherwise, pull me aside for a coffee and a chat.

You can find more details about Conflux and my workshop on the Conflux website. If, however, you’re just looking for a laugh, check out The Top 10 ways to Successfully Pitch to an Agent or Editor – The Cretin’s Guide.

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