I’m going to be giving a full-day workshop at the ACT Writers Centre!
The workshop, called Creating Compelling Novels, is on from 10am–4pm Saturday 25 July.
Here’s the blurb:
“Readers have certain expectations that go far beyond genre. At the very least they expect to be entertained, but entertainment is subjective, even within genre.
Fortunately, there are story elements common across all forms of fiction, such as conflict, theme, and structure. Creating Compelling Novels will teach you to identify and apply these elements and many more so you can meet or exceed expectations.
Through practical exercises and group activities you’ll learn how transform your ideas, characters, and storylines into a cohesive whole, potentially taking your stories well beyond the borders of genre— and all without selling out.
Discover exactly what each part of a novel must accomplish, why so many stories suffer from ‘middle sag syndrome’, and why so many novels fail to be compelling.
You’ll gain a clear understanding of how to:
apply story structure without appearing formulaic
meet or exceed readers expectations
troubleshoot story problems
draw readers into an intense emotional experience they’ll be desperate to share with all their friends.
You’ll leave with the keys to making your novel resonate with the people who matter most – agents, editors, and readers.
If you think that sounds like something you’re interested in, get onto the ACT Writers Centre website.
Cost: $125 members, $90 concessional members, $190 non-members (includes 12 months of membership), $140 concessional non-members (includes 12 months of membership) Venue: E Block Seminar Room, Gorman Arts Centre (formerly ACT Writers Centre workshop room) Bookings: You can book by phone on 6262 9191, online or at the office. Payment is required at time of booking.
Today I’ve got Angeline Trevena over to talk about her struggles with writing longer works such as novels. Like myself and about half the writing community, Angeline discovers her stories as she writes them. This can be problematic for a whole bunch of reasons, as she’ll explain:
I have written loads of novels. Hundreds of them. Although, you can’t actually buy any of them. Because, well, I never finished them.
My hard drive is a monument to my career as an unsuccessful novelist.
Ever since I realised I wanted to write, I assumed novels would be the result.
That’s what writers do, isn’t it? It’s the obvious, the default. As we’ve already established, that didn’t exactly pan out.
You see, I don’t plot.
I walk straight into a story with little or no idea where I’m going. Which is fine, and fun, and there are many successful novelists that write this way.
But I have an incredibly poor sense of direction. And my characters are unruly, and far braver than me.
And I have tried.
One year as NaNoWriMo approached I decided I would be a plotter.
I watched videos, read books and blog posts, got first-hand advice. I was fully prepared.
I spent a month on my outline, and as October turned to November, I was ready to go. I had my map.
About 15k words in my characters took over again.
By 30k I was following them around like a puppy on a rope.
I concluded that I simply wasn’t designed for plotting, and duly shelved the book. Another plaque for my monument.
But I still wanted to write. I couldn’t stop.
So I tried a different kind of writing. A kind that embraced the discovery writer, the spontaneous writer, the no-clue-where-this-is-headed writer.
I wrote short stories.
When my first one was published in 2011 I decided that this, clearly, was the kind of writer I was meant to be, and I’ve been a very happy short story writer ever since.
But those novels still nagged at me.
Cutting the Bloodline is my stepping stone.
Coming in at around 21k, it is the longest piece I’ve seen through to completion.
And this one had an outline.
I’d written it back in 2010 as a stage play, so my outline was a little unconventional, consisting of just dialogue and a few stage directions.
The story has changed notably, but this was an outline I could follow, and stick with, and a method I wouldn’t be against using again in the future. Because we all have to find our own way of doing things.
As writers, we’re bombarded with advice.
I spent years in a state of crippling guilt because I didn’t write for several hours every single day.
Because I wrote when I felt like it.
I was led to believe that I would never, ever make it as a writer, that no one would ever take me seriously.
I felt like a failure because I couldn’t turn in detailed chapter-by-chapter outlines. Because I didn’t spend a year doing research, or create detailed character crib-sheets.
It held me back, and stopped me from doing the one thing I loved.
If only I’d known then that every writer’s path is different.
You can take advice, you can try out different things, but if it doesn’t work for you, it’s not right.
And I don’t care who said it, how many awards they’ve won, or if they’re your favourite author.
Their writing journey is not yours.
So beyond being my first solo project, Cutting the Bloodline has been a huge learning curve.
I’ve learnt to code an ebook, to promote it, to utilise my network.
Most importantly though, I’ve learnt that a short story writer with some kind of aversion to plotting can learn to write a novel.
And I’ve got no doubt that if I can do it, you can find your own path too.
Angeline Trevena was born and bred in a rural corner of Devon, but now lives among the breweries and canals of central England. She is a horror and fantasy writer, poet and journalist. Cutting the Bloodline is her debut novella, and she has several short stories published in various anthologies and magazines.
Amazon buy link for Cutting the Bloodline: http://authl.it/B00W3AP0VY
Angeline’s website: http://www.angelinetrevena.co.uk
It’s really tough getting word out about your creative endeavours, so it’s good to know what works and when to start doing it.
With this problem in mind I asked a group of writers to throw their best tips at me, and they responded with some fantastic advice.
My own tip: Be the kind of person that other people want to be friends with by helping and supporting them whenever you can. (It doesn’t hurt to put the name of your latest book or your website address in your email signature either.)
Here’s some more great tips:
“My biggest one-day bump came from an article a newspaper reporter/recent acquaintance wrote about books featured locally. The second was from doing a reading at high school that then ordered a classroom set of books. Both involved being open to the opportunity. Neither was based on a sale or a paid advertisement. In 20 months as a published writer have seen no appreciable return from sales or paid advertisements!”Robert L. Slater
“Connect with – and support – other authors by commenting on their blogs, hosting them on your blog for releases, Tweeting about their books, etc. People are more willing to help promote authors that they already know and like.”Quanie Miller
“Every now and then try a new author promotion strategy. Ask yourself – Have I done anything new lately to promote my books?”Aditi Chopra
“Promotion also is all about presentation to the right market who is interested in your writing. Make sure you are targeting the market for success.”Debra Hargrove
“Promote soft or hardcover editions via a public book signing and leave a copy or two to be discovered in a public place to create a public awareness of your work.”Douglas Moore
“What I learned was that resistance is futile and you need to embrace this part of the process. Sometimes it is even – gasp! – fun.”Janine Donoho
“Think outside the box. That is where the growth occurs and if you don’t grow, you stifle.”Karin Halford
“Be patient. Maintain personal integrity, and hold on to your moral and ethical beliefs.”Armando Almase
“Create a writer’s platform, starting with a blog you own.”Carly Compass
“Social media is a must for any author who wants to earn a steady income from writing. Update your blog(s) and make use of Twitter and Facebook and Google + with a mix of self promotion and reposting other articles of interest. Self promotion alone will lose you followers on social media platforms.”Douglas Moore
“Write, write, write, join a critique group, critique, critique, critique. Then, rewrite what you wrote! [Start with a great book!]”Cholontic (Jen Christopherson)
“An author platform online should encompass many sites. Twitter, an FB page, website optional but definitely a blog, Google Plus, maybe YouTube trailers, Instagram & Pinterest, WattPad, Goodreads, if on Amazon fill out your bio area. Fill that out everywhere and utilize the free online real estate at your disposal. Update your LinkedIn.”Tosca Johnson
“Author promo is separate from book promo. Author promo begins long before you have a book on a shelf, the attention of an agent, or hit ‘upload’ on your first self-pub’d masterpiece. Author promo means standing up in the world, both visceral and virtual, and saying ‘Hello, I’m _ and I’m a writer.’ Author promo means connecting with peers, networking with the writing community, and making sure potential readers know your name long before you have anything other than yourself to promote.”AmyBeth Inverness
“I wish I had known how to do it. I didn’t really promote my first book very much. I wish I had been friends with writers who could point me towards the better sites for helpful hints. Have an author page on all the major social media sites and keep it up to date with anything appropriate. They are a great way for people to get to know you as a person and want to buy your books because of it.”Karin Halford