Conflux, Elevator Pitches and Pitching Sessions

With Conflux kicking off this Thursday, I thought a post about pitching to agents and editors was in order.

Conflux 9 LogoWhy?

Other than having a good time and catching up with friends at Conflux, I’ll be moderating a panel on pitching (with two agents and an editor), teaching the art of creating elevator pitches during a workshop on Friday morning, and later that day pitching to an editor myself in the hopes of selling my epic fantasy.

So what do I know about pitching? A few things.

The basics…

The best thing you can do is approach a pitching session from agent or editor’s perspective, which means keeping two things in mind:

  1. They want to know that you’re someone they can work with (that you’re not insane).
  2. You have something they can make money from (they’re running a business, not an art-house).

In regard to pleading ‘not insane’:

  • Princess LeiaDon’t turn up in your best Princess Leia slave outfit (I’ve heard of it happening – people trying to be memorable, which they were, but for all the wrong reasons). Go with neat and tidy instead. You want them to remember your story, not your outfit.
  • Be polite and enthusiastic, but not over the top. Think of it as an informal job interview if that helps; keep it casual but on-topic.

In regard to pitching your story:

Your pitch only has one purpose once you get over the insanity hurdle – to get them to request your story. Nothing else.

Therefore:

  • Have a good one-liner that neatly summarises your book and intrigues at the same time (ie, the bulk of what I’ll be teaching at my workshop).
  • Try to get them to care about/empathise with your characters and the situation they’re in (character is story).
  • Give them an overview of the ‘big idea’, particularly if they’re ‘ideas people’.
  • Practice in front of the mirror.

And that’s all you really need to do in five minutes. If you’re attending, I’d love to see you at my workshop. Otherwise, pull me aside for a coffee and a chat.

You can find more details about Conflux and my workshop on the Conflux website. If, however, you’re just looking for a laugh, check out The Top 10 ways to Successfully Pitch to an Agent or Editor – The Cretin’s Guide.

Is it April already?

Just a brief update to say I’m still hitting my goals, although the one with the most potential at the moment is that I’ve shipped a query to an agent. Fingers crossed yet again!

Otherwise, I’m about halfway through another proofread of my epic fantasy novel (no matter how many times I go through it I always pick up more mistakes/typos etc.

I’m also about a third of the way through the edit of my urban fantasy novel. Editing isn’t writing unfortunately, but it’s still getting stuff done.

The main news however is that Australia’s Nation, Conflux, is on this month. I’ve been doing lots of preparation for it. I’ve got:

  • a panel on the Thursday afternoon called Elevator Pitches with publisher Marc Gascoigne and agents Tara Wynne and Alex Adsett
  • a workshop on the Friday morning called Distilling Your Story, where I’ll teach people the art of creating elevator pitches/loglines/one-liners.
  • another panel on the Saturday evening called Star Wars, The Rebirth, where we’ll ‘create’ our ideal Star Wars 7. I’m thinking both the Rebellion and the remnants of the Empire should join forces and hunt down Jar Jar Binks. Please tell me you’re with me on that one!

While I’ll admit I’m a little nervous (all this convention participation is way outside my comfort zone), I’m also somewhat excited for the same reasons.

If you see me at Conflux before, after or between my panels please say ‘hello’, or perhaps join me at my workshop on the Friday Morning. If you can’t make it to Conflux, you can always find me Google Plus.

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